SPARKY & RHONDA RUCKER
In addition to concert performances that include a variety of music, storytelling, and history, Sparky & Rhonda Rucker also give special presentations, workshops, and classes that are focused on a specific topic or aimed at a particular audience. Some of these are hour-long presentations; others are week-long classes. These programs, which are listed below, are available by prior arrangement. Four programs have a link to a page that gives more information.
This educational program takes the audience on a journey that spans over three centuries of American history, including slavery, the Underground Railroad, the Civil War, the birth of blues music, and the civil rights movement. Each era is interspersed with stories and popular songs from the time period. The program is tailored to the audience and can be adapted for any age or grade level from preschool through college.
This special historical program gives a unique perspective into the songs and stories of slavery, abolition, and the Underground Railroad. Personalities such as Frederick Douglass, William Lloyd Garrison, and Harriet Tubman are brought to life. Sparky and Rhonda sing the traditional slave songs that were filled with symbolism, messages of freedom, and sometimes even the information to guide the slaves' escape.
Sparky and Rhonda present a synopsis of the American Civil War through songs and narrative. They begin with the causes and events leading up to the war and touch on some of the highlights of the war. The stories, some sad and some humorous, reflect personal insights from the colorful personalities who participated in the war. Sparky and Rhonda give the history from the perspectives of both the North and South and also include the participation of the African-American soldiers.
In this program, the Ruckers show how slavery and Jim Crow laws sowed the seeds for upheaval and change during the 1950s and 1960s. Music was an essential part of the civil rights movement. It bolstered people’s morale and helped them face fire hoses, police dogs, and dangerous mobs without resorting to violence. Using spirited songs from the era, Sparky and Rhonda present the story of the movement. Sparky marched shoulder-to-shoulder with SNCC Freedom Singers Matthew and Marshall Jones and played freedom songs at rallies, marches, and sit-ins alongside other folksingers such as Guy Carawan, Pete Seeger, and Bernice Reagon. He brings an authenticity to the music that can only be obtained by first-hand experience.
Rhonda's picture book, Make a Change, is about a boy's surprise at his first civil rights demonstration. It is based on an actual incident in Sparky's life, an experience that steered him toward a lifelong commitment to freedom and justice. In this program, the Ruckers first teach how slavery sowed the seeds for upheaval during the 1950s and 1960s. Music was an essential part of the civil rights movement, instilling courage into people who protested unjust laws. Using spirited songs from the era, Sparky and Rhonda present the story of the movement, including the young children who participated.
Rhonda’s article, "Rescuing Miracle," was published in Highlights magazine. It tells the true story of a sick and starving black bear cub that got better with the help of a teddy bear. In this program, Rhonda and Sparky blend storytelling, science, music, and hand games to get students excited about reading and writing.
Rhonda’s historical novel for young readers, Swing Low, Sweet Harriet, is based on Harriet Tubman’s work as a spy and scout during the Civil War when she helped lead African American soldiers on the Combahee River raid in South Carolina. In this program, Rhonda and Sparky blend storytelling and music to help students learn about the Gullah Culture, Harriet Tubman, and the Civil War. The study guide that accompanies this program gives vocabulary words, background history, writing exercises, discussion topics, and recommended books to help expand learning opportunities.
In this program, Sparky and Rhonda demonstrate that the movements for justice have produced some of our most inspiring songs and stories. They trace the nation’s struggles from slavery and the Underground Railroad through the battles for women’s suffrage and workers’ rights and into the civil rights movement. Sparky got his start in folk music during the movement, marching shoulder-to-shoulder with SNCC Freedom Singers Matthew and Marshall Jones and playing freedom songs at rallies alongside such luminaries as Guy Carawan, Pete Seeger, and Bernice Reagon. In addition, he worked for the Poor People’s Campaign and helped to gain benefits for coal miners in Southern Appalachia. He brings an authenticity to the music that can only be obtained by first-hand experience.
Sparky and Rhonda each tell some "solo" stories, but Sparky and Rhonda also tell stories together (in tandem), always adding life and humor to the characters in their Br'er Rabbit tales, Appalachian yarns, High John the Conqueror stories, preacher tales, and family stories.
Sparky's research on the African-American ballad tradition culminated in the highly acclaimed recording Heroes and Hard Times. Drawing on this material, the Ruckers share songs and stories about such colorful personalities as John Henry, John Hardy, Stag-O-Lee, and Betty and Dupree.
Sparky and Rhonda play the songs of such artists as Robert Johnson, Rev. Robert Wilkins, Tommy Johnson, Sonny Terry and Brownie McGhee, and Blind Boy Fuller. Sparky's early blues mentors include Rev. Pearly Brown, Buddy Moss, Johnny Shines, Babe Stovall, Big Joe Williams, John Jackson, Robert Jr. Lockwood, and Victoria Spivey. Sparky's trademark vocals are accompanied by both slide and fingerstyle blues guitar, and Rhonda adds gutsy blues harmonica, harmony vocals, and barrelhouse piano to their music.
Sparky and Rhonda share stories and songs from the rich heritage of their southern Appalachian and "Affrilachian" roots. Their storytelling repertoire ranges from Jack tales and ghost stories to preacher tales and Br'er Rabbit stories. In addition to traditional Appalachian songs and gospel sing-alongs, their repertoire includes newer songs and stories from labor and coal mining struggles in the mountains.
Using their knowledge of traditional Native American and West African cultures to draw parallels with modern ecological issues, Sparky and Rhonda Rucker combine original as well as traditional songs and stories to illustrate the relationship of people with the earth. Their program addresses the planet’s struggle to survive while also recognizing the beauty that surrounds us. Sparky and Rhonda’s CDs, One Earth and Let Freedom Ring, both showcase original songs that address today’s environmental and social concerns.
Sparky and Rhonda both have deep musical roots from the American gospel tradition. In this program, they explore their rich heritage of both black and white spirituals, giving an uplifting presentation that encourages the audience to sing along.
It has been said that freedom is a constant struggle. In this week-long class, we will explore songs and stories of slavery, the Underground Railroad, women’s suffrage, labor unions, and the civil rights movement of the 1960s. The Underground Railroad, the method by which enslaved West Africans escaped enforced bondage, produced a rich history and culture. However, the same songs were used in the civil rights movement a hundred years later, proving that the struggle for change is often slow – it’s evolution and not revolution. Many of the abolitionists continued the battle for justice until women’s suffrage was won a few decades later. Then the rise of unions showed that the struggle was not one of race or sex, but a universal struggle of the “haves” against the “have-nots.” In this class, students will find that the movements for justice have produced some of the most inspiring songs and stories in our history.
Sparky and Rhonda share stories and songs from the rich heritage of their southern Appalachian and "Affrilachian" roots. Their storytelling repertoire ranges from Jack tales and ghost stories to preacher tales and Br'er Rabbit stories. In addition to traditional Appalachian songs and gospel sing-alongs, they'll also share newer songs and stories from labor and coal mining struggles in the mountains.
In this week-long class, students get a chance to learn the art of storytelling. Sparky and Rhonda give tips for finding and choosing tales and discuss how to learn and critique a story. Students will get plenty of hands-on practice during the week. This class can be held for children or adults. If you have story ideas, bring them!
In this week-long class, Sparky and Rhonda explore the songs, skits, and history of the old-time minstrel show. This workshop delves into the politics and the social impact of this uniquely American phenomenon. It is taught as a week-long class that has been popular at music camps such as Ashokan, Common Ground, and the Augusta Heritage Center.
In this week-long class, Sparky teaches "bottleneck" or slide guitar techniques as well as blues fingerpicking styles. He explores the songs and techniques of Robert Johnson, Fred McDowell, John Shines, Blind Boy Fuller, etc. Sparky has taught these classes at such music camps as Ashokan, Common Ground, Stringalong Weekend, and the Augusta Heritage Center.
This is an introductory week-long class for people wanting to learn the basics of blues harmonica. Rhonda discusses cross harp in detail, and several beginning tunes are taught. Blues improvisation is discussed, along with techniques such as bending notes, chugging, trills, and specific blues riffs. Rhonda has taught this class at such places as Common Ground on the Hill, Augusta Heritage Center, Summer Acoustic Music Week, Clarion Folk College, and Puget Sound Guitar Workshop. Students need to bring a working diatonic harmonica (something like a "Marine Band") in the key of "A" for this class. If you have other keys, bring them to the music camp so you can participate in jams. A recording device is also helpful.
This week-long class is for students who already play piano but would like to learn some basic beginning blues-style piano. Rhonda explores several songs and blues styles during the week, teaching some left-hand and right-hand patterns, riffs, and fills that can be used in lots of blues songs.
In this week-long class, Rhonda introduces new players to the clawhammer style of banjo-playing, teaching the basic techniques and skills needed whether you want to play old-time tunes or accompany yourself in a song.